Mary does not stand apart from the rest of the sinful human race, born immaculate and remaining sinless throughout her life. As a member of a fallen race she recognized her need of deliverance from sin and guilt when she sang, “My spirit hath rejoiced in God my Saviour.” The “culture” of Mary does not have its origin in the Bible for “there is not a word there from which it could be inferred; not in the Creeds, nor in the fathers of the first five centuries.” Titles such as The Tower of David; The Arch of Holy Alliance; The Door of Heaven; The Queen of the Apostles, Confessors and Martyrs; The Co-adjustrix with God in the work of salvation, as applied to Mary, are the invention of Rome. Mary never magnified herself — only her Lord. Her glorification as the object of worship, her function as an intercessor through whom prayers must be addressed to Christ, her perpetual care of Christ and her present influence over Him, are the false creations of Rome. Therefore, “Mariolatry belongs, historically, to unauthorized speculation; and psychologically, to the natural history of asceticism and clerical celibacy.” The elevation and worship of Mary is most unscriptural and idolatrous. The Bible portrays her as a woman “blessed among women,” but only as a mere faithful, humble, godly woman. Rome’s exaltation of Mary consists largely of fictitious and unreliable legends and dogmas. The true Christian portrayal of the mother of Jesus is that to be found only in the gospels in which the Master taught that man has access to God only through His all-sufficient mediatorial work (John 14:6).
Herbert Lockyer, All the Women of the Bible (Grand Rapids, MI: Zondervan Academic, 2016).